Review: ‘West Side Story’

In West Side Story—Sondheim, Bernstein and Arthur Laurents’ beloved ’50s-era street-gang homage to Romeo and Juliet—two teenage New Yorkers meet by chance at a tense interracial community dance, and their forbidden love sets in motion a series of events hopeful and tragic. For this all-important first-act meet-up to work, the audience must feel the electrifying, fateful connection…

Review: ‘The Nice Guys’

“The Nice Guys,” writer-director Shane Black’s darkly entertaining R-rated homage to action movies of the 1970s, is not particularly nice. But it’s a whole lot nicer than many of the films that inspired it. Low-rent L.A. private eye Holland March (Ryan Gosling, displaying admirable physical comedy chops) is a drunk and a screw-up, but he…

Tenth year for Jasson Minadakis at MTC

“Don’t get me started.” Jasson Minadakis, one quickly notices, uses that phrase a lot. “Don’t get me started.” For the record, when it comes to talking about theater—especially the kind of expectation-defying, definition-challenging, artistically fearless theater Marin Theatre Company (MTC) has become known for over the 10 years that he has served as its artistic…

Review: ‘Red Velvet’

Slavery was still legal in England in 1833, when American actor Ira Aldridge became the first black man to appear on stage in London. Following the death of famed actor Edmund Kean, Aldridge was called upon to play the lead in Shakespeare’s Othello, alongside white actors at Keane’s Theater Royal, in Covent Garden. With Abolition just…

Review: ‘Money Monster’

Few filmmaking tricks are harder to pull off than that of fusing honest, political outrage with solid, crowd-pleasing entertainment. Whenever significant political questions are tucked into a mainstream movie – as in the recent “Avengers” and Captain America films – they are usually so dumbed down and simplified they are unlikely to cause anyone to…