Review: “Death of a Salesman” in Ross

by Harry Duke * To many, Death of a Salesman is the classic American play. From its Pulitzer Prize and Tony Award-winning Broadway debut in 1949 through multiple revivals, theatre companies return again and again to Arthur Miller’s dissection of the American dream to draw audiences. The Ross Valley Players open their 97th season with…

Review: “Red” in Healdsburg

by Harry Duke * The age-old art versus commerce debate takes center stage in The 222’s production of John Logan’s Red. Amy Kossow directs the factually-based but fictionally woven two-hander about artist Mark Rothko that’s now running at the Paul Mahder Gallery in downtown Healdsburg through Sept. 20.   For those unfamiliar with Rothko, he’s generally…

Review: “Follies” in Sonoma

by Cari Lynn Pace * Don’t hate me, but I have never been much of a fan of Stephen Sondheim musicals (except for West Side Story.) Sondheim’s Follies, now being presented by Sonoma Arts Live through September 27 on the Rotary Stage at the Sonoma Community Center, changed my sentimental mind. James Goldman wrote the…

Review: “The Cook” in Berkeley

by Barry Willis * Decades of Cuba’s revolution unfold in the microcosm of an elaborate kitchen in a stately old home in Eduardo Machado’s The Cook, at Berkeley Rep’s Peet’s Theatre through October 11. The perfect focal point for the venue’s steeply-raked three-sided seating, Tanya Orellana’s huge stunning set exquisitely captures the decadence of old…