Review: “Red” in Healdsburg

by Harry Duke * The age-old art versus commerce debate takes center stage in The 222’s production of John Logan’s Red. Amy Kossow directs the factually-based but fictionally woven two-hander about artist Mark Rothko that’s now running at the Paul Mahder Gallery in downtown Healdsburg through Sept. 20.   For those unfamiliar with Rothko, he’s generally…

Review: “Follies” in Sonoma

by Cari Lynn Pace * Don’t hate me, but I have never been much of a fan of Stephen Sondheim musicals (except for West Side Story.) Sondheim’s Follies, now being presented by Sonoma Arts Live through September 27 on the Rotary Stage at the Sonoma Community Center, changed my sentimental mind. James Goldman wrote the…

Review: “The Cook” in Berkeley

by Barry Willis * Decades of Cuba’s revolution unfold in the microcosm of an elaborate kitchen in a stately old home in Eduardo Machado’s The Cook, at Berkeley Rep’s Peet’s Theatre through October 11. The perfect focal point for the venue’s steeply-raked three-sided seating, Tanya Orellana’s huge stunning set exquisitely captures the decadence of old…

Review: “The White Chip” in Mill Valley

by Cari Lynn Pace * I was hesitant to invite my friend to join me for Marin Theatre’s Bay Area premiere of The White Chip, now running in Mill Valley through Sep. 20. This semi-autobiographical comedy, written by Sean Daniels, is billed as “a humorous and human play about addiction and recovery.” The title refers…

Review: “Equivocation” in Rohnert Park

by Barry Willis * The black-box Condiotti Theatre at Spreckels Performing Arts Center morphs into Shakespeare’s Globe Theatre, a 17th-century courtroom, a torture chamber, an execution site, and more in Bill Cain’s Equivocation, now running in Rohnert Park through September 13. Adroitly directed by Spreckels’ artistic director Sheri Lee Miller, Cain’s 2009 play melds real…