Casting a Spell

Please spell “serendipity.” As fate would have it, not one, but two productions of the engaging musical ‘The 25th Annual Putnam County Spelling Bee’ are both opening in the North Bay this weekend, but the two shows – one in San Rafael, one in Sonoma –  couldn’t be more different. While Marin Onstage opens its Belrose…

London Calling

Sonoma County actor Chris Ginesi (co-founder of Narrow Way Stage Company), has just crossed one very big item off his theatrical bucket list. He’s just performed a play written by William Shakespeare, while standing on the stage of Shakespeare’s Globe Theatre in London. Yeah, the one built to replace the original Globe, which is where…

Review: OSF’s ‘Great Expectations’

As the 2016 Oregon Shakespeare Festival kicks off its season with four shows (and seven more to open between now and late summer), the trend this year seems to be shows that challenge up the norm, fiddle with audience comfort-levels, and defy tradition. But that’s not true for every show, and frankly, that’s kind of nice.…

Review: OSF’s ‘Yeomen of the Guard’

Ultimately, despite the talent, craft, and ingenious artistic contributions of the cast and crew, and regardless of the boldness, beauty or flat-out genius of a show’s concept, whether or not the thing works is ultimately a matter of taste. What you think is brilliant I might find to be a well-intentioned mess,  and what your neighbor…

MTC and Lucky Penny Announce 2016/2017 theater seasons

Two North Bay Theater Companies announce details of next season March 10, 2016 —It’s a little like Christmas, this time of year, when one-by-one the majority of theater companies release details about their upcoming. And like Christmas, when lists of gifts become a focus of attention (whether it’s a child’s list of toys hoped for from…

Review: OSF’s ‘Twelfth Night’

In Oregon Shakespeare Festival’s boldly beautiful fantasy-drama ‘The River Bride,’ projections are used to dazzling effect, creating sunrises and sunsets, starry skies, and rain-soaked jungles. Projections play also a significant part in Christopher Liam Moore’s equally bold – but far less consistently satisfying — staging of Shakespeare’s gender-bendy Twelfth Night. Amongst Shakespeare’s most popular and…

Michael Pritchard, hero (and funny guy)

“I don’t laugh because I’m happy,” says Michael Pritchard, recipient of this year’s Heroes of Marin Lifetime Achievement Award. “I’m happy,” he says, “because I laugh.” Pritchard, for the record, is actually laughing as he says this, wrapping up a story, this late February morning, in which he describes his day so far—a day that the rest…

Review: ‘The River Bride’ at OSF

“Love is for the bold! You have to be willing to risk everything!” So exults Belmira, an impetuous young bride-to-be, in an evocative early scene in Marisela Treviño Orta’s stunning The River Bride. It’s easily the best new show in a strong current batch of four that just opened the Oregon Shakespeare Festival, in Ashland (where…

SRJC adds to conversation about gender with Eve Ensler’s ‘Emotional Creature’ and an all-male ‘Twelfth Night’

Eve Ensler and William Shakespeare might not seem to have a lot in common as playwrights, but according to Leslie McCauley, chair of the theater department at Santa Rosa Junior College, the author of The Vagina Monologues and the creator of numerous cross-dressing Elizabethans are just two sides this year of a gender mirror that forces us…