Written by David Templeton Among the many pleasures to be found in the writing of playwright Terrence McNally (“Love! Valour! Compassion!” “Master Class,” “Frankie and Johnny in the Clair de Lune”) is the way he always allows his primary characters to have second chances. An opportunity to redress a past error, take one more creaky…
“That’s so meta” is a phrase you hear bandied about a lot these days. It’s usually used to describe a reference by someone about themselves. Metatheatre is a style of play that acknowledges it is a play within a play – actors are aware of the audience and may interact with them or acknowledge they’re…
Written by David Templeton “We’re not technically drinking, I want that to be absolutely clear,” Petaluma stage director-and-actor Larry Williams pointed out, on a recent St. Patrick’s Day Sunday, as a pair of tall, colorful, impossibly sweet-looking margaritas – one blended, one on the rocks – appeared at our table. “This isn’t alcohol consumption. It’s…
At a time when occupational safety regulations are being loosened and funding for the agencies responsible for their enforcement being reduced, it’s good to be reminded how those safeguards came to be and what life was like for American workers before then. The Ross Valley Players’ production of Melanie Marnich’s These Shining Lives does just…
My guests on the Thursday, March 14 theatre segment on KSRO’s The Drive with Steve Jaxon were Leila Rosa and Chris Schloemp from the Left Edge Theatre production of The Nether. Click below to listen: ********** *Note – this audio files cuts out before the actual end of the interview. It will be replaced by…
Playwright Ayad Akhtar burst on the theatrical scene in 2013 with Disgraced, a searing drama about identity politics and Islamophobia which earned him the Pulitzer Prize for Drama. In 2016, Marin Theatre Company presented Akhtar’s The Invisible Hand, a play that took on capitalism and Islamic fanaticism. Gender issues in the Islamic community are the…
In late 1942, when our country was a year into World War II, Thornton Wilder’s The Skin of Our Teeth opened on Broadway. Wilder, whose Our Town dramatized the lives of one small community over a period of twelve years, expanded his sight a bit with a play that covers all of human existence as…
In a recent Letter to the Editor of the Bohemian, a theatre patron decried one North Bay company for its tendency to program shows with dark themes that portray men and women at their worst. The patron then went on to suggest attending a then-running show at Santa Rosa’s Left Edge Theatre. That patron may…
On Saturday night, as part of Spreckels Performing Arts Center’s big party celebrating its 30th anniversary, Artistic Director Sheri Lee Miller announced Spreckels Theatre Company’s ambitious, premiere-filled 2019/2020 season. Anchored by a number of major North Bay debuts, the season – which will begin this August – will feature two plays and four musicals, a…
Totally fucked. That, dear readers, sums up the teen angst expressed via song in Spring Awakening, Marin Musical Theatre Company’s latest offering. It runs at the NTC Playhouse in Novato through March 16. Based on German playwright Frank Wedekind’s controversial 1891 play that dealt frankly with teenage sexuality, playwright Steven Sater and musician Duncan Sheik…
North Bay Stage and Screen 