Review: OSF’s ‘Yeomen of the Guard’

Ultimately, despite the talent, craft, and ingenious artistic contributions of the cast and crew, and regardless of the boldness, beauty or flat-out genius of a show’s concept, whether or not the thing works is ultimately a matter of taste. What you think is brilliant I might find to be a well-intentioned mess,  and what your neighbor…

Review: OSF’s ‘Twelfth Night’

In Oregon Shakespeare Festival’s boldly beautiful fantasy-drama ‘The River Bride,’ projections are used to dazzling effect, creating sunrises and sunsets, starry skies, and rain-soaked jungles. Projections play also a significant part in Christopher Liam Moore’s equally bold – but far less consistently satisfying — staging of Shakespeare’s gender-bendy Twelfth Night. Amongst Shakespeare’s most popular and…

Review: ‘The River Bride’ at OSF

“Love is for the bold! You have to be willing to risk everything!” So exults Belmira, an impetuous young bride-to-be, in an evocative early scene in Marisela Treviño Orta’s stunning The River Bride. It’s easily the best new show in a strong current batch of four that just opened the Oregon Shakespeare Festival, in Ashland (where…

Review: ‘Arches, Balance and Light’

‘There is never an easy time to do something that has never been done before.” True enough. In author-playwright Mary Spletter’s world premiere, Arches, Balance and Light, those words are more than just encouraging advice offered to a determined young pioneer; they form a kind of philosophical spine to a play that, in its own right,…

Review: ‘Kismet’ at Spreckels Performing Arts Center

Last year, Spreckels Theater Company staged an unconventional revival of Rogers and Hammerstein’s ‘Carousel,’ a play many have heard of but few have ever actually seen. Eschewing complex sets, shoreline scenery—and, you know, an actual carousel—director Gene Abravaya inverted the whole concept, hauling the orchestra up from the pit, and letting the show unfold in…

Review: ‘Gem of the Ocean’

The late August Wilson’s penultimate play, the supremely lyrical and gorgeously written 2003 drama Gem of the Ocean, may be set in 1904, but its themes stretch purposefully back in time to the beginning of New World slavery and reach forward to the present, when African Americans are still fighting many of the same struggles. This…

Review: Left Edge’s ‘A Steady Rain’

Good cop. Bad cop. It’s a formula so mainstream that it was the basis of a character in the ‘The LEGO Movie,’ where Liam Neeson voiced the dual-personalities of a tiny plastic policeman, named Good Cop-Bad Cop, who was literally two-faced, depending on the situation. Even when kind of disturbing, he was kind of adorable.…

Review: “One Man, Two Guvnors’

It’s been just over four years since Richard Bean’s One Man, Two Guvnors made its mad, merry pratfall onto the stage of public awareness—first in London, then New York. In that short length of time, Bean’s preposterous 1960s-set update of Carlo Goldoni’s 18th-century farce A Servant of Two Masters has already become a modern comedy classic, scooping up awards…