The unpredictable combustible power of people eating dinner together is prominently featured in two notable stage plays currently running in the North Bay. Marin Theatre Company’s August Osage County, directed by Jasson Minadakis, is a solid, well-performed, but oddly distant and frequently unsatisfying staging of the 2008 Pulitzer winner from Tracy Letts. Usually presented with…

One cannot grow up in Sonoma County without gaining at least some awareness of who Jack London was, that he wrote books about wolves and dogs, and that his home is now a state park a mere 30-minute drive from Santa Rosa. This year, the county marks the centennial of London’s 1916 death with numerous…

It’s been 12 years since Stephen Walsh last played Tony the grape grower, in the classic Frank Loesser musical ‘The Most Happy Fella,’ at Cinnabar Theater. And to employ an over-picked cliché, in his second run of the show at Cinnabar, Walsh has only gotten better, deeper and rich—like a really, really good, well, you…

When the Supreme Court ruled on Roe v. Wade in 1973—making most abortions legal in the United States for the first time—the decision marked the end of a very long road. But in Lisa Loomer’s remarkable new play Roe, running through Oct. 29 at the Oregon Shakespeare Festival in Ashland, the playwright shows that the landmark Supreme Court decision is…

In West Side Story—Sondheim, Bernstein and Arthur Laurents’ beloved ’50s-era street-gang homage to Romeo and Juliet—two teenage New Yorkers meet by chance at a tense interracial community dance, and their forbidden love sets in motion a series of events hopeful and tragic. For this all-important first-act meet-up to work, the audience must feel the electrifying, fateful connection…

Slavery was still legal in England in 1833, when American actor Ira Aldridge became the first black man to appear on stage in London. Following the death of famed actor Edmund Kean, Aldridge was called upon to play the lead in Shakespeare’s Othello, alongside white actors at Keane’s Theater Royal, in Covent Garden. With Abolition just…

The writings of San Francisco playwright Peter Sinn Nachtrieb have always been a balance of the weird, the wondrous, the sensitive, and the cynical.  Nachtrieb likes to test artistic and cultural boundaries, daring his audience to surrender its expectations. He likes happy endings, but he also likes to subvert them and stand them on their heads. In…

Visually inventive and sensitive to a surprising degree, writer-director Mary Zimmerman’s surprisingly rich ‘Treasure Island’ — adapted from Robert Louis Stevenson’s novel — literally rocks the boat, employing a stunningly well-engineered stage that swings back and forth like a ship rolling on the ocean. That’s just one of many surprises awaiting audiences, young and old,…

  Colorful costumed fish appear to swim across the stage (with the help of clever roller-skate shoes). Seagulls fly and mermaids swim (thanks to ‘Peter Pan’ style rigging). Huge waves splash and crash, octopus women grow to six times their normal size (using massive screened projections) and six-foot strands of seaweed bob and wiggle in time to the music (dancers dressed…

For several years, the lack of strong roles for women has been the talk of the theater world, lighting up blogs and theater-related websites. The issue has inspired debate, discussion and outcries of gender inequity. It has even provoked a spate of incendiary protest art like Courtney Meaker’s ‘That’swhatshesaid,’ in which the author compiled into one outrageous solo piece all of the…