Review: ‘West Side Story’

In West Side Story—Sondheim, Bernstein and Arthur Laurents’ beloved ’50s-era street-gang homage to Romeo and Juliet—two teenage New Yorkers meet by chance at a tense interracial community dance, and their forbidden love sets in motion a series of events hopeful and tragic. For this all-important first-act meet-up to work, the audience must feel the electrifying, fateful connection…

Review: ‘Red Velvet’

Slavery was still legal in England in 1833, when American actor Ira Aldridge became the first black man to appear on stage in London. Following the death of famed actor Edmund Kean, Aldridge was called upon to play the lead in Shakespeare’s Othello, alongside white actors at Keane’s Theater Royal, in Covent Garden. With Abolition just…

Review: ‘BOB: A Life in Five Acts’ at Main Stage West

The writings of San Francisco playwright Peter Sinn Nachtrieb have always been a balance of the weird, the wondrous, the sensitive, and the cynical.  Nachtrieb likes to test artistic and cultural boundaries, daring his audience to surrender its expectations. He likes happy endings, but he also likes to subvert them and stand them on their heads. In…

Review: ‘Treasure Island’

Visually inventive and sensitive to a surprising degree, writer-director Mary Zimmerman’s surprisingly rich ‘Treasure Island’ — adapted from Robert Louis Stevenson’s novel — literally rocks the boat, employing a stunningly well-engineered stage that swings back and forth like a ship rolling on the ocean. That’s just one of many surprises awaiting audiences, young and old,…

Review: ‘The Little Mermaid’

  Colorful costumed fish appear to swim across the stage (with the help of clever roller-skate shoes). Seagulls fly and mermaids swim (thanks to ‘Peter Pan’ style rigging). Huge waves splash and crash, octopus women grow to six times their normal size (using massive screened projections) and six-foot strands of seaweed bob and wiggle in time to the music (dancers dressed…

Review: ‘Twelfth Night’

For several years, the lack of strong roles for women has been the talk of the theater world, lighting up blogs and theater-related websites. The issue has inspired debate, discussion and outcries of gender inequity. It has even provoked a spate of incendiary protest art like Courtney Meaker’s ‘That’swhatshesaid,’ in which the author compiled into one outrageous solo piece all of the…

Review: ‘Anne Boleyn’

The Bible, as anyone knows who’s ever opened it, is fairly bursting with sex. From Old Testament stories of kings and concubines, to New Testament tales of reformed prostitutes and virgin mothers, sex is pretty much everywhere. But who knew how big a role sex played in the creation of the longest lasting and best-loved…

Review: ‘The Andrews Brothers’ (with a bit of musing on the perplexing popularity of the ‘jukebox’ musical)

QUESTION: When is a play not a play? ANSWER: When it’s a concert. Plays, generally speaking, have plots. And concerts, generally speaking, um . . . don’t. That’s the argument some have made against the rise (and strange popularity) of so-called “jukebox musicals,” the cutely coined nickname for stage shows consisting primarily of a catalog of songs…

Reviews: ‘Silent Sky’ and ‘All My Sons’

(This review originally appeared in the North Bay Bohemian) Two commanding dramas—one a classic, one destined to be—are now playing in the North Bay. Each is worth discovering. In 1948, Arthur Miller’s All My Sons became his first critical hit. Not an easy show to pull off, Miller’s ingeniously unfolding post-WWII drama gets a solid, emotionally truthful…

Review: ‘Time Stands Still’ at Cinnabar Theater

War is not just about bombs and bullets and blood. It’s also about politics and position and power. Playwright Donald Margulies is not particularly interested in either the politics of war or the gory details of modern warfare. From his Pulitzer nominated play ‘Collected Stories’ to his Pulitzer-winning play ‘The Dinner Party,’ Margulies has always…