Review: “Follies” in Sonoma

by Cari Lynn Pace * Don’t hate me, but I have never been much of a fan of Stephen Sondheim musicals (except for West Side Story.) Sondheim’s Follies, now being presented by Sonoma Arts Live through September 27 on the Rotary Stage at the Sonoma Community Center, changed my sentimental mind. James Goldman wrote the…

Review: “The Cook” in Berkeley

by Barry Willis * Decades of Cuba’s revolution unfold in the microcosm of an elaborate kitchen in a stately old home in Eduardo Machado’s The Cook, at Berkeley Rep’s Peet’s Theatre through October 11. The perfect focal point for the venue’s steeply-raked three-sided seating, Tanya Orellana’s huge stunning set exquisitely captures the decadence of old…

Review: “Freaky Friday, the Musical” in Napa

by Cari Lynn Pace * Lucky Penny Productions really delivers on Freaky Friday, the Musical, a hilarious stage musical based on Mary Rodgers novel and the two Disney movies from 1976 and 2003. This huge show features 19 actors of all ages, and the surprising thing is they all fit splendidly on Lucky Penny’s small…

Review: “The White Chip” in Mill Valley

by Cari Lynn Pace * I was hesitant to invite my friend to join me for Marin Theatre’s Bay Area premiere of The White Chip, now running in Mill Valley through Sep. 20. This semi-autobiographical comedy, written by Sean Daniels, is billed as “a humorous and human play about addiction and recovery.” The title refers…

Review: “Equivocation” in Rohnert Park

by Barry Willis * The black-box Condiotti Theatre at Spreckels Performing Arts Center morphs into Shakespeare’s Globe Theatre, a 17th-century courtroom, a torture chamber, an execution site, and more in Bill Cain’s Equivocation, now running in Rohnert Park through September 13. Adroitly directed by Spreckels’ artistic director Sheri Lee Miller, Cain’s 2009 play melds real…