Review: “Misalliance” in Santa Rosa

by Harry Duke * Most theatregoers familiarity with the works of George Bernard Shaw begins and ends with his play Pygmalion, the source material for the classic musical My Fair Lady. His other plays range from historical dramas to comedies of manners. All contain elements of social criticism of their time. His works usually get…

Review: “The White Chip” in Mill Valley

by Cari Lynn Pace * I was hesitant to invite my friend to join me for Marin Theatre’s Bay Area premiere of The White Chip, now running in Mill Valley through Sep. 20. This semi-autobiographical comedy, written by Sean Daniels, is billed as “a humorous and human play about addiction and recovery.” The title refers…

Review: “R.O.I. (Return on Investment)” in San Francisco

by Barry Willis * San Francisco Playhouse has launched another incisive play from the talented Aaron Loeb, whose dark comedy Ideation went from a much-praised local phenomenon to a weeks-long run off-Broadway. That production was a disturbing look into the world of business consultants tasked with creating a foolproof way to dispose of millions of…

Review: “The Cottage” in Cloverdale

by Harry Duke * Sandy Rustin’s The Cottage, now running at the Cloverdale Performing Arts Center through August 16, has all the hallmarks of a classic Noël Coward comedy: an early 20th-century setting, an English countryside abode, philandering spouses, lots of drinking and smoking, and witty banter delivered in British accents. That it was written…

Review: “Urinetown” in San Francisco

by Barry Willis * San Francisco’s Ray of Light Theatre is giving Urinetown, the Musical a lot of love. Both a spoof of its own musical genre and an exploration of persistent social and environmental problems, the Tony winner by Mark Holmann and Greg Kotis is a tremendously engaging sharp-edged but blunt-force production running through…

Review: “Once Upon a Mattress” at Sonoma Arts Live

by Cari Lynn Pace * Sonoma Arts Live’s season-closing Once Upon a Mattress holds plenty of delights. This Tony-award nominated 1959 musical with a book by Jay Thompson, Dean Fuller & Marshall Barer and lyrics by Barer and music by Mary Rogers runs through August 2. Based on the ageless fairy tale The Princess and…