Review: OSF’s ‘As You Like It’

‘AS YOU LIKE IT’ Oregon Shakespeare Festival Rating (out of 5): ★★★ One of the most interesting things about the plays of Shakespeare is how powerfully they work as showcases of a stage director’s view of the world, their relative aesthetic values, and the ingenuity they bring to their interpretation of a particular play. Case in…

Review: OSF’s ‘Cambodian Rock Band’

‘CAMBODIAN ROCK BAND’ Oregon Shakespeare Festival Rating (out of 5): ★★★★★ “Nothing in Cambodia stays buried for long.” That line is delivered as a bit of an inside joke, but it comes with a sting, one that resonates throughout playwright Lauren Yee’s sensational new play, “Cambodian Rock Band.” The play premiered last year at South Coast…

Review: “The Who & The What” in Mill Valley

Playwright Ayad Akhtar burst on the theatrical scene in 2013 with Disgraced, a searing drama about identity politics and Islamophobia which earned him the Pulitzer Prize for Drama. In 2016, Marin Theatre Company presented Akhtar’s The Invisible Hand, a play that took on capitalism and Islamic fanaticism. Gender issues in the Islamic community are the…

Review: “The Nether” in Santa Rosa

In a recent Letter to the Editor of the Bohemian, a theatre patron decried one North Bay company for its tendency to program shows with dark themes that portray men and women at their worst.  The patron then went on to suggest attending a then-running show at Santa Rosa’s Left Edge Theatre. That patron may…

Review: “Spring Awakening” in Novato

Totally fucked. That, dear readers, sums up the teen angst expressed via song in Spring Awakening, Marin Musical Theatre Company’s latest offering. It runs at the NTC Playhouse in Novato through March 16. Based on German playwright Frank Wedekind’s controversial 1891 play that dealt frankly with teenage sexuality, playwright Steven Sater and musician Duncan Sheik…

Review: “Million Dollar Quartet” in Santa Rosa

On December 4, 1956, Johnny Cash, Jerry Lee Lewis, Carl Perkins, and Elvis Presley held a once-in-a-lifetime jam session at rock and roll pioneer Sam Phillips’ legendary Sun Records studio. They were labeled the “Million Dollar Quartet” by a local journalist and that moniker was affixed to the recordings of the session released decades later.…

Review: “Hello, Dolly!” in San Francisco

Anyone going to a performance of Hello, Dolly! – running now at the SHN Golden Gate Theatre in San Francisco through March 17 – with an appetite for an enlightened look at male/female relationships is likely to leave quite hungry. The current national tour of the 2017 revival of the 1964 Broadway smash based on…

Review: “After Miss Julie” in Sebastopol

Sometimes the most interesting dramas are the simplest – a single set, a few characters, a conflict. “Naturalistic” plays, as they are sometimes referred, were the result of a movement in late 19th century European theatre to enhance the realism of plays with an understanding of how heredity and environment influence an individual. The most…

Review: “Forever Plaid” in Napa

Musical zombies rise from the dead to sing an evening of ‘50’s pop standards. Let me try that again. On February 4, 1964, The Plaids, an eastern Pennsylvania-based vocal quartet, were headed for a major gig at the Fusel-Lounge at the Harrisburg Airport Hilton when their cherry red Mercury was broadsided by a bus full…