Review: “R.O.I. (Return on Investment)” in San Francisco

by Barry Willis * San Francisco Playhouse has launched another incisive play from the talented Aaron Loeb, whose dark comedy Ideation went from a much-praised local phenomenon to a weeks-long run off-Broadway. That production was a disturbing look into the world of business consultants tasked with creating a foolproof way to dispose of millions of…

Review: “Repossessed” in Berkeley

by Harry Duke * Fans of Paul Verhoeven’s 1990 sci-fi thriller Total Recall (starring Arnold Schwarzenegger) or, for the real cinephile, John Frankenheimer’s underrated 1966 sci-fi thriller Seconds (starring Rock Hudson, of all people) looking for something in the same vein would do well to seek out a production of Bay Area playwright Greg Lam’s…

Review: “The Cottage” in Cloverdale

by Harry Duke * Sandy Rustin’s The Cottage, now running at the Cloverdale Performing Arts Center through August 16, has all the hallmarks of a classic Noël Coward comedy: an early 20th-century setting, an English countryside abode, philandering spouses, lots of drinking and smoking, and witty banter delivered in British accents. That it was written…

Review: “Urinetown” in San Francisco

by Barry Willis * San Francisco’s Ray of Light Theatre is giving Urinetown, the Musical a lot of love. Both a spoof of its own musical genre and an exploration of persistent social and environmental problems, the Tony winner by Mark Holmann and Greg Kotis is a tremendously engaging sharp-edged but blunt-force production running through…

Review: “Once Upon a Mattress” at Sonoma Arts Live

by Cari Lynn Pace * Sonoma Arts Live’s season-closing Once Upon a Mattress holds plenty of delights. This Tony-award nominated 1959 musical with a book by Jay Thompson, Dean Fuller & Marshall Barer and lyrics by Barer and music by Mary Rogers runs through August 2. Based on the ageless fairy tale The Princess and…

Review: “Hairspray” at San Francisco Playhouse

by Cari Lynn Pace * Hairspray is the Tony Award-winning, Broadway-busting musical based on the same-titled 1988 movie by John Waters now running at San Francisco Playhouse. With a book by Mark O’Donnell and Thomas Meehan, Hairspray soars with music by Marc Shaiman and clever lyrics by Shaiman and Scott Whittman. Masterfully directed by Bill…

Review: “The Secret Garden, the Musical” in Rohnert Park

by Barry Willis * This coming weekend (June 26-28) closes Cinnabar Theater’s sumptuous production of The Secret Garden, an operetta of hope and triumph by Marsha Norman and Lucy Simon, based on the novel by Frances Hodgson Norman. It’s 1906 and an orphan girl named Mary Lennox (Violet Spears) has returned to England from India, where…

Review: “La rondine” in Petaluma

by Harry Duke * Opera is the theatre art with which I have the least familiarity. Interestingly enough, the very first live performance of any kind that I remember attending as a child (excluding Disney on Ice) was a production of Bizet’s Carmen but since that 5th or 6th grade adventure, the number of opportunities…