Review: “Scrooge! The Musical” in Sonoma

by Harry Duke What’s Christmas without a production of Charles Dickens’ A Christmas Carol (or a reasonable facsimile thereof) on a local stage? Sonoma Arts Live fills the bill with their production of Scrooge! The Musical. The SAL production runs at the Sonoma Community Center through Dec. 21. The stage version, which Leslie Bricusse adapted…

Review: “Into the Woods” in San Francisco

by Cari Lynn Pace With a book by James Lapine and music and lyrics by Stephen Sondheim, Into the Woods involves crossing the paths of multiple characters from several Brothers Grimm fairy tales. It’s an ambitious undertaking for any theater. Challenges include strong solo voices, complex lyrics, live orchestral music, clever choreography, creative costumes, and…

Review: “Ride the Cyclone: The Musical” in Santa Rosa

by Cari Lynn Pace Ride the Cyclone: The Musical is a dazzling theatrical event directed by Sarah Wintermeyer. The Santa Rosa Junior College Theatre Arts program impresses with this professional quality show. Enter the lobby and be surrounded with clowns, sequined dancers, tarot readers, costumed dancers, and hanging streamers. Take a cushy seat in the…

Review: “Bootycandy” in Santa Rosa

by Cari Lynn Pace Playwright Robert O’Hara’s Bootcandy is a series of semi-autobiographical vignettes that take place on a bare stage (or a minimalist set), each delivering a biting and often hilarious look at supposedly real encounters throughout his life as a black gay person from childhood to present day. It’s definitely outrageous, often quite…

Review: “Wait Until Dark” in Ross

by Cari Lynn Pace In a departure from their typical productions, Ross Valley Players delivers the complex and tense thriller Wait Until Dark. Based on the 1966 Broadway cliffhanger which led to the famous Audrey Hepburn movie, this script has been adapted by Jerry Hatcher from Frederick Knott’s original play. Knott wrote spine-tingling plots, including…