Review: “Into the Woods” in San Francisco

by Cari Lynn Pace With a book by James Lapine and music and lyrics by Stephen Sondheim, Into the Woods involves crossing the paths of multiple characters from several Brothers Grimm fairy tales. It’s an ambitious undertaking for any theater. Challenges include strong solo voices, complex lyrics, live orchestral music, clever choreography, creative costumes, and…

Review: “Ride the Cyclone: The Musical” in Santa Rosa

by Cari Lynn Pace Ride the Cyclone: The Musical is a dazzling theatrical event directed by Sarah Wintermeyer. The Santa Rosa Junior College Theatre Arts program impresses with this professional quality show. Enter the lobby and be surrounded with clowns, sequined dancers, tarot readers, costumed dancers, and hanging streamers. Take a cushy seat in the…

Review: “Bootycandy” in Santa Rosa

by Cari Lynn Pace Playwright Robert O’Hara’s Bootcandy is a series of semi-autobiographical vignettes that take place on a bare stage (or a minimalist set), each delivering a biting and often hilarious look at supposedly real encounters throughout his life as a black gay person from childhood to present day. It’s definitely outrageous, often quite…

Review: “Wait Until Dark” in Ross

by Cari Lynn Pace In a departure from their typical productions, Ross Valley Players delivers the complex and tense thriller Wait Until Dark. Based on the 1966 Broadway cliffhanger which led to the famous Audrey Hepburn movie, this script has been adapted by Jerry Hatcher from Frederick Knott’s original play. Knott wrote spine-tingling plots, including…

Review: “Sweeney Todd” in Mill Valley

by Cari Lynn Pace Sweeney Todd is the malevolent plot likely inspired by the campfire song “Dunderbeck’s Machine” which my Dad sang to us as youngsters. We boisterously sang along as mean old Dunderbeck turned critters into sausages, ultimately getting his just reward. Stephen Sondheim created an amped-up plot of human gruesomeness in this entertaining…

Review: “Sally & Tom” in Mill Valley

by Cari Lynn Pace Pulitzer Prize winner Suzan-Lori Parks weaves historical facts with imagined emotions in this play-within-a-play about Thomas Jefferson and his slave mistress Sally Hemmings. It’s a powerhouse story that digs deep into the consciousness of today’s sense of propriety. A present-day small theatre troupe rehearses and wrestles with their unfinished period play…

Review: “Noises Off” in San Francisco

by Cari Lynn Pace Noises Off is a door-slamming winner from the curtain to backstage. Director Bill English must be an expert at herding cats, as this chaotic comedy written by Michael Frayn is a three-ring circus. Frayn was inspired to write the farce while observing a frantic rehearsal in Britain and observing “What went…