Review: “Blackbird” in Sebastopol

At a post-show Q & A following the opening night performance of Main Stage West’s Blackbird, director David Lear stated he felt that one of theater’s responsibilities is to make an audience “a little uncomfortable.” He more than succeeds with this production. The lights come up and through the windows of a darkened employee break room…

Reviews: “Buried Child” in Sebastopol; “Good People” in Petaluma

The choices in life that haunt you take center stage in two terrific productions running now in North Bay theatres. Sebastopol’s Main Stage West is presenting Sam Shepard’s Buried Child while Petaluma’s Cinnabar Theater has David Lindsay-Abaire’s Good People. Shepard’s forty-year-old, Pulitzer-Prize-winning look at the implosion of the American nuclear family seems as fresh as…

Review: “Daddy Long Legs” in Sebastopol

If you like A.R. Gurney’s popular two-person play “Love Letters”, you’re going to love “Daddy Long Legs”, a musical adaptation of the 1912 novel by Jean Webster. Set at the turn of the 20th century, it’s the story of the relationship between an orphan and her mysterious benefactor as told – well, actually, sung –…

Review: “Mary Shelley’s Body” in Sebastopol

“Am I supposed to be retelling my creature’s story or confessing my own?” asks Mary Wollstonecraft Shelley, author of Frankenstein and the protagonist in Petaluma playwright David Templeton’s latest theatrical piece “Mary Shelley’s Body,” now in its premiere engagement at Sebastopol’s Main Stage West. Templeton, the Argus-Courier features editor, whose previous plays are autobiographical, ventures…