Review: “Intimate Apparel” in Petaluma

by Harry Duke * We live in a time when the need to attract an ever-dwindling audience to live theatre often leads to a company programming the latest Hollywood-style spectacle or musical adaptation of a well-known movie or television series. It’s either that or the old tried-and-true and very familiar. Shakespeare, anyone? It’s good to…

Review: “Repossessed” in Berkeley

by Harry Duke * Fans of Paul Verhoeven’s 1990 sci-fi thriller Total Recall (starring Arnold Schwarzenegger) or, for the real cinephile, John Frankenheimer’s underrated 1966 sci-fi thriller Seconds (starring Rock Hudson, of all people) looking for something in the same vein would do well to seek out a production of Bay Area playwright Greg Lam’s…

Review: “The Homecoming” in Santa Rosa

by Harry Duke * Dysfunctional family dramas have been around since the beginning of theatre (Oedipus Rex, anyone?) Tennessee Williams’ The Glass Menagerie, Eugene O’Neill’s Long Day’s Journey into Night, and Arthur Miller’s Death of a Salesman are prime examples of American playwrights’ takes on the genre. Leave it to a British playwright to steer…

Review: “Home, I’m Darling” in Sonoma

by Barry Willis * Fantasy and reality collide headlong for a married woman in Laura Wade’s Home, I’m Darling at Sonoma Arts Live through June 21. Ashley Kennedy stars as Judy, half of a contemporary British couple who have transformed their home into a pastiche of 1950s kitsch—aqua-colored refrigerator and TV, starburst clock, martini glasses,…

Preview: David Templeton’s “All in Favor” in Santa Rosa

by Harry Duke * Where’s a playwright to go after exploring the bounds of outer space and the confines of a parrot cage? For award-winning playwright (and former Bohemian contributor) David Templeton, the answer is “back to school”. Templeton, whose most recent plays Galatea and Featherbaby were well received on both coasts, is premiering his…