Review: “Three Tall Women” in Petaluma

Playwriting is often a form of artistic exorcism. Many a play have been written to bring a form of closure to unresolved conflicts, strained relationships, or traumatic experiences and to release the hold that personal demons have on their authors. For playwright Edward Albee (Who’s Afraid of Virginia Woolf?), that demon happened to be his…

Review: “Hotter Than Egypt” in Mill Valley

Mill Valley’s Marin Theatre Company has been presenting top-notch productions of often provocative plays for years, so color me a bit surprised by their latest offering. They are currently hosting the world premiere co-production (with Seattle’s ACT) of Yussef El Guindi’s Hotter Than Egypt. Selected by MTC’s new Associate Artistic Director Nakissa Etemad, the John Langs-directed…

Review: “Apologia” in Santa Rosa

Santa Rosa’s Roustabout Theater is best known as one of the leading theatrical training and performance programs in the San Francisco Bay Area. With a focus on youth ages 11 to 20, their Apprentice Program and Summer Theater Camp productions lean toward lighter fare, like this summer’s scheduled production of The SpongeBob Musical. Roustabout also…

Review: “The Glass Menagerie” in Sebastopol

A “classic” is defined as something judged over a period of time to be of the highest quality and outstanding of its kind. In theatre, it can be a mark of a quality script that is at the mercy of the artists producing it. I’ve seen plenty of non-classic productions of classic plays. The Glass…

Review: “Master Class” in Sonoma

The name Maria Callas means little these days to people unversed in the world of opera, but to those in the know the American-born Greek soprano will always be “La Divina”. Callas passed away in 1977 at the age of 53. Memories of her might have faded completely from the stage but for playwright Terrence…