STATUS: Set to be published this summer by Word Horde Books
As part of the anthology ‘The Eternal Frankenstein’
Mary Shelley is dead. Or so she assumes. When the author of ‘Frankenstein’ finds herself haunting her own grave in an abandoned graveyard near the sea, she reluctantly accepts the challenge of reviewing her tumultuous life, including her bittersweet love of her husband, the poet Percy Shelley, and the many losses that fueled her furious drive to create something lasting and eternal. As she wanders the graveyard, making casual friends with names on the surrounding tombstones, the story of her life begins to unveil strong, unexpected connections to the tale of the Creature, her greatest and most personal creation. Eventually, as those two stories continue to intertwine—and Mary recalls the back-stories she conceived but never wrote for the Creature’s various limbs and organs—she discovers the courage to face her most painful memories, ultimately revealing a few stunning secrets, and perhaps making one or two terrifying discoveries along the way.
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STATUS: Set to have its first staged reading at the SF Olympians Festival on Wednesday, October 19 at EXIT Theatre in San Francisco. The reading will be directed by Adam Palafox
At a remote campsite in the deep woods, the four remaining members of a once-thriving neo-pagan male bonding society meet for what might be their final gathering after more than thirty years. The “brotherhood,” all in middle-to-not-so-middle age, are not the men they once were, in many ways, On the agenda for the annual weekend-long ritual: the traditional only-half-serious chants to various classical gods (“Who’s the Sun God? Who’s the Fun God? Ra! Ra! Ra-ra-ra!”), the annual fraternal check in and individual Masculine-Spiritual Mission Statements, and the “Words of Honor” to commemorate the recent passing of their founding father and leader, who recently killed himself. The one upbeat factor is the presence of a new member, the first “first-timer” the group has had in years. Each brother assumes that “The New Bitch,” as he introduced himself upon walking in out of the woods, is the guest of one of the other members, until he finally introduces himself, not as “the new bitch,” but as Anubis, the Egyptian God of Funeral and Mummification, who they have accidentally summoned to their circle. What follows is a campfire meeting like none the few mortality-fearing brothers ever expected, in which Anubis alternately goads, taunts and terrifies them, offers a word or two of wisdom from beyond the grave, all while completely messing with their heads is ways that are probably friendly, but possibly not.
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STATUS: World premier run completed; plans are to reprise the show in December of 2016, hopefully in San Francisco or Berkeley
Polar Bears’ is a story I decided three years ago to write as my first solo show after ‘Wretch Like Me.’ It is based on a series of outrageous, touching, heartbreaking, and hilarious events that occurred during the Christmas season of 1994, when my family was dealing with a recent tragedy. During that season, I decided that the best way to make things better . . . was Santa Claus. Actually, the story really begins when I stopped believing in Santa Claus—at the age of four. The title of the show—which is not about polar bears—is just one of several sweet surprises layered into this magical, moving new one-man-show.